Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles (1975)
A lonely widowed housewife does her daily chores, takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet However, something happens that changes her safe routine
Je Tu Il Elle (1974)
Je is a girl voluntarily lock up in a room Tu is the script Il is a lorry driver Elle is the girlfriend
From the East (1993)
A look at life in Eastern Europe after the collapse of the Soviet Union
A Couch in New York (1996)
A psychoanalyst in NYC exchanges apartments with a woman in Paris When his patients show up, they talk to her and then pay He returns early to NYC and becomes a patient
Golden Eighties (1986)
Employees and clients of a commercial gallery only live for love they dream it, proclaim it, sing it and dance it Experience the encounters, reunions, passions and disappointments of a malicious chorus of girls and a group of id
Delphine and Carole (2019)
In the 70s and 80s, activist Carole Roussopoulos and actress Delphine Seyrig made use of new video technologies to fight for the womens movement Archive material documents their interventions into the events of the time
Toute une nuit (1982)
Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance
The Meetings of Anna (1978)
Anna, a detached and diffident director, arrives in Germany to show her latest film she checks into a hotel, invites a stranger to her bed, and abruptly tells him to leave He asks her to a birthday lunch with his mother and daug
No Home Movie (2015)
Filmmaker Chantal Akerman documents the life of her mother Natalia Akerman, a Polish immigrant and survivor of Auschwitz
What Is Cinema? (2013)
Amidst a constant stream of hundreds of film clips, dozens of filmmakers voice their opinions on the titular question while primarily looking beyond the Hollywood mainstream to independent, experimental, documentary and avant gard
La chambre (1972)
In a 360 circular panoramic shot the camera slowly pans an entire apartment or house When it first passes the bedroom there is nobody there but each time it shows the room again Chantal Akerman is sitting on the bed, motionles
A Couch in New York (1996)
A psychoanalyst in NYC exchanges apartments with a woman in Paris When his patients show up, they talk to her and then pay He returns early to NYC and becomes a patient
Hotel Monterey (1973)
Hotel Monterey is a cheap hotel in New York reserved for the outcasts of American society Chantal Akerman invites viewers to visit this unusual place as well as the people who live there, from the reception up to the last story