Storyline: The Dead (1987) John Huston's last film is a labor of love at several levels: an adaptation of perhaps one of the greatest pieces of English-language literature by one of Huston's favorite authors, James Joyce; a love letter to the land of his ancestors and the country where his children grew up; and the chance to work with his screenwriter son Tony and his actress daughter Anjelica. The film is delicate and unhurried, detailing an early January dinner at the house of two spinster musician sisters and their niece in turn-of-the-century Ireland, attended by friends and family. Among the visiting attendees are the sisters' nephew Gabriel Conroy and his wife Gretta. The evening's reminiscences bring up melancholy memories for Gretta concerning her first, long-lost love when she was a girl in rural Galway. Her recounting of this tragic love to Gabriel brings him to an epiphany: he learns the difference between mere existence and living. The all-Irish cast and careful period detail give the piece richness and gravity, and Donal McCann and Anjelica Huston are unforgettable as the Conroys.
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A travel averse journalist chases her dream assignment where she soon finds herself mentoring a handsome BampB owner who wants to be a tour guide
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While watching TV, ex adman Morris Codman receives a message from God Advised by the Almighty to go into business for himself, Codman inaugurates his own religion, founded on a philosophy of selfishness
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Tempers fray and true selves are revealed when a heterosexual accidentally intrudes on a homosexual party
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Jacob takes a job as an animal caretaker in a traveling circus There he meets Marlena, a beautiful circus performer Their shared compassion for a special elephant Rosie leads to love, but Marlenas cruel husband stands in their
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While people in Western Europe were used to choose between hundreds of brands, the communist Romanian used to have a different experience all our life we lived with only one brand for each basic product Imagine the importance th
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